One week later, I looked up stillborn.
Feeling too done-before, and shocking
in its frequency, and like a dirty word
that was something that described us,
science or statistics that made my mouth
constrict and then soften with moisture.
I went to the library to do it, feeling
guilty and disgusted reading about
myself in my own dictionary, but
theirs was great yellowed white,
crackling pages, millions of words
and people looking for themselves
there, I found a moth pressed
between the pages, like its own
little translucent, ephmeral leaf,
with veins for words, and blood
drained out, and more years dead
than living, and through its forewing
I read (of an infant) born dead.
The Lifespan of Butterflies
About the Project
The Lifespan of Butterflies Project is a simple, grappling attempt at catharsis, but this time not simply my own. This journey is a long and complicated process. In my short life I have found connection and unforeseen fullness through writing born of my own sadness and loss, and out of it, so much joy. My hope is that this blog will inspire mothers, daughters, brothers, and lovers to become writers. It's taken me years to see that, of course, my grief isn't only a product of lives lost, while that is where this project gets its name. This grief carries wide and varied meanings. It can be a product of searching. Of love. Of rape. Of age. Of violence. Of infertility. Of exclusion. Of depression. Of longing. And emotionality springs forth from as many sources. Laughter. Children. Sweet music. The drunken lilting of a butterfly that paints a picture of your daughter. My hope is that any heart that finds this place is able to rest here in the deep and powerful emotions that accompany the human experience. I hope to create a poetic project that fills us up where we have once been empty.
Sunday, January 22, 2012
Wednesday, January 18, 2012
Floating Haiku
fruit dye and water
horsehair sutured to slim wood
paints a butterfly
horsehair sutured to slim wood
paints a butterfly
fold down the middle
so flat wings mimic flapping
sit her like resting
so flat wings mimic flapping
sit her like resting
imagine she lifts
wings become brushes themselves
and she paints a girl
wings become brushes themselves
and she paints a girl
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Feast of Flowers
Aconite. Anemone. Autumn Crocus.
Fat purple pads, succulent and sliced
by stripes of indigo drizzled or heaped
like angel hair over bone china
on a lazy susan. Baneberry,
Christmas Rose, Deadly Nightshade,
Foxglove, and the Iris.
Fat purple pads, succulent and sliced
by stripes of indigo drizzled or heaped
like angel hair over bone china
on a lazy susan. Baneberry,
Christmas Rose, Deadly Nightshade,
Foxglove, and the Iris.
Neighbors watched
her build the greenhouse last winter—
first in her dark jacket with dark
buttons, then shirtless, just sweating
and raising walls in white sun
with bare arms and a strong back—
they watched for her mouth and
several times they shook while
pouring water into glasses, but
never offered.
her build the greenhouse last winter—
first in her dark jacket with dark
buttons, then shirtless, just sweating
and raising walls in white sun
with bare arms and a strong back—
they watched for her mouth and
several times they shook while
pouring water into glasses, but
never offered.
Ivy, Jimson Weed,
the root of one Mandrake, curled like a
fetal Medusa. Each day, they watched
as the glass fogged and breathed clear,
until green began to grow up along
its insides and shut the world out
for good. Brave boys almost climbed
the frame and followed the sun inside,
but they heard a shuffle and the clang
of a spade and their hair stood up. Oleander,
Rock Poppy, Spring Adonis.
the root of one Mandrake, curled like a
fetal Medusa. Each day, they watched
as the glass fogged and breathed clear,
until green began to grow up along
its insides and shut the world out
for good. Brave boys almost climbed
the frame and followed the sun inside,
but they heard a shuffle and the clang
of a spade and their hair stood up. Oleander,
Rock Poppy, Spring Adonis.
So they waited
late into springtime, watched her mostly—
naked with boots, shorn hair, heavy glasses,
carrying armloads of cut flowers inside—
thought they saw her bite a May Apple—
eight trips for wisteria, heavy like grapes—
wondered should they bring vases and
how her fingers must have looked,
how red or purple they must be, how deep
were the thorns, how chartreuse the thumbnails.
late into springtime, watched her mostly—
naked with boots, shorn hair, heavy glasses,
carrying armloads of cut flowers inside—
thought they saw her bite a May Apple—
eight trips for wisteria, heavy like grapes—
wondered should they bring vases and
how her fingers must have looked,
how red or purple they must be, how deep
were the thorns, how chartreuse the thumbnails.
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Thursday, December 8, 2011
Still I look up missing girls.
Between trees along the roadside, there is an umbrella.
Its great downturned blossom—bluebell or reverse tulip—
is small-world round and banded with turquoise, fuchsia,
pale pink—size is hard to gauge from here, but the brightly
budding colors dazzle schools on rainy mornings.
Its great downturned blossom—bluebell or reverse tulip—
is small-world round and banded with turquoise, fuchsia,
pale pink—size is hard to gauge from here, but the brightly
budding colors dazzle schools on rainy mornings.
Travel
down flamboyant petal and silver stem, to the handle,
which is red, and plastic, and curved to fit a smaller hand,
and there are thoughts of soft palms and paint that spills
off tiny nails and onto skin.
down flamboyant petal and silver stem, to the handle,
which is red, and plastic, and curved to fit a smaller hand,
and there are thoughts of soft palms and paint that spills
off tiny nails and onto skin.
Imagine the hands connect to arms,
connect to narrow mid-section and still maybe a child’s tummy,
to neck growing longer with years, to a head to eyes that blink
and well with changing feelings, hurt feelings, or something else?
connect to narrow mid-section and still maybe a child’s tummy,
to neck growing longer with years, to a head to eyes that blink
and well with changing feelings, hurt feelings, or something else?
Think of the hair, maybe long and brown and soft and wispy
and brushed that morning by a mother who trims it with kitchen
scissors and sprays in detangler, dresses it with dandelion, and
runs her hands across it and breathes as it dries.
And there is an umbrella and brushed that morning by a mother who trims it with kitchen
scissors and sprays in detangler, dresses it with dandelion, and
runs her hands across it and breathes as it dries.
along the roadside, between the trees, and underneath is a broken
metal spoke that collapses a nylon rainbow against earth, and maybe
it was thrown in jubilation as the sun came out and the drops stopped
souping up the forest’s edge—and she took a shortcut home from the bus stop.
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Sunday, December 4, 2011
Sunday, August 21, 2011
Walking Web
I am caught like a fly in a web
though I am moving and have broken it
though I am moving and have broken it
From twigs and branches that string it
blue, cold, skyward and tether its ends to the hot center
blue, cold, skyward and tether its ends to the hot center
I am carrying it with me over shoulders
and neck like a noose or long pendant, I’ll wear it forever
and neck like a noose or long pendant, I’ll wear it forever
Sometimes it glistens on my skin
sometimes I scratch and pull at infinite fragments
sometimes I scratch and pull at infinite fragments
Each bit falls away, nothing visible remains
but still I am traced by silk and bound by its feeling on my skin
but still I am traced by silk and bound by its feeling on my skin
Light, down to nearly nothing you can’t see
that it’s there in my hair or on my face, under finger nails.
that it’s there in my hair or on my face, under finger nails.
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Tuesday, August 16, 2011
Degenerate
Broken by a fall out of bed
the pain didn’t wake me but the noise
lack of crack, a slow rumble
flipped me sideways like thunder
hitting my eardrums from inside
and hammering dully on my brain
as with elbows that don’t relent
self-defensive and close to the danger
the pain became the noise
filled with fragments of femur
my leg was red and liquid fire
They’d told me the bones would start breaking
that red and white would disintegrate
like sands from different deserts
and yes those sands were rubbing and mixing
and creating a frenzied whir
humming electric as I lay on the planks
later my collarbone in the dressing room
and all the toes while sitting perfectly still
my biggest bone had broken
now I would wait for help
and then wait for breaking
the pain didn’t wake me but the noise
lack of crack, a slow rumble
flipped me sideways like thunder
hitting my eardrums from inside
and hammering dully on my brain
as with elbows that don’t relent
self-defensive and close to the danger
the pain became the noise
filled with fragments of femur
my leg was red and liquid fire
They’d told me the bones would start breaking
that red and white would disintegrate
like sands from different deserts
and yes those sands were rubbing and mixing
and creating a frenzied whir
humming electric as I lay on the planks
later my collarbone in the dressing room
and all the toes while sitting perfectly still
my biggest bone had broken
now I would wait for help
and then wait for breaking
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